Folio
Barbara Davis – ICCON Patternmaking Courses
I have just recently completed the first of two Patternmaking courses run by Barbara Davis and the Kangan Batman TAFE in Melbourne, Australia. I highly recommend it!!
Barbara is a Senior Patternmaker with over 30 years experience in the fashion industry and a Masters Degree in Pattern Technology. In 1994, she commenced a research project in the areas of block construction and advanced grading methods. By researching and experiencing Pattern and Block construction methods from around the globe she has been able to develop a successful method of block development for all types of the average female body. The ICCON technology she has developed has been implemented into many large and small companies such as Myer Grace Bros, KMart, Target, Sussan, Sportsgirl, Sportscraft, S&R Fashions, Solo Voyager and Scanlan & Theodore.
The courses are:
1) Towards Patternmaking as a Source of Competitive Advantage
2) Patternmaking Excellence for Fashion Industry Professionals
You will need to have studied or worked in this field to enroll in the courses, it is fantastic for those working as Patternmakers, Graders, Garment Technitions, Machinist, Quality Assurance, Product Developers & Designers. I feel that as we are all working together in our respective roles, we do need to understand the very core of the product we are working with. Helping these professionals to understand pattern and garment construction will reduce the overall time spent in developing and fitting a style – therefore saving money.
I feel that the overall aim of this course and the ICCON Technology is to construct blocks and garments that will fit the highest possible percentage of the market. Once the Patternmaker understands how to use these blocks successfully, it is possible to produce more patterns that fit with minimal alterations first or second go.
I have been using this technology in my current job at a Melbourne Designer Label, which I consider to be extremely innovative and up to date in the design room technologies. It has been fantastic to be able to implement what I have been learning while I am at work to maximize what I have learned. I can’t wait to start the second course!!
Fashion Illustration Courses
As there has been a lot of interest in the fashion illustration course at Central St Martins, I decided to give a quick rundown of the details.
Central St Martins in London, UK is one of the world’s top fashion schools. They offer short courses in addition to their main courses. There are many to choose from in all subjects, including design, drawing, patternmaking, marketing and computers.
The course I chose was called Fashion Sketchbook, which took you through the sketchbook development stages. The main class time was spent learning how to draw the figure correctly from a live model, and how to interpret this into a fashion figure. We went back to the foundations of design and as you can see by my loose illustrations on the folio page - they are not fashion designs yet. They are the conceptual stages of shapes, textures and colours used to manipulate the shape of the body. I am still developing my skills and what I learned in that course has had a huge impact on my perception of design.
Click the link below to find out more about short courses at Central St Martins:
FOLIO IMAGES
Click the categorys below to view images from my folio:
London: Creative Patternmaker 2007 & 2008
Working in London has given me a greater understanding of the fashion industry. I worked within the fast fashion sector as a Creative Patternmaker. It was important for me to interpret the design with confidence and accuracy, as the first pattern was used to cut the buying sample in correct fabric to be sent straight to customer – or to be used in sales meetings. Below are some examples of first samples from KUBE Clothing.
Communication with the Designers and Sample Machinists, as well as Garment Tech was important in making sure correct decisions were made, so that the garment would be commercially viable for production from the beginning.
Both companies I worked for in the UK were small wholesale operations, supplying leading “High Street” Labels. Because of the size of the companies, it was a great opportunity for me to help out in other areas such as Garment Technology, Fits and Alterations where necessary. At one point while working at KUBE, they did not have a Garment Tech so I stood in and was able to take my knowledge of this side of the process to the next level.
River Island Website - A dress I worked on at KUBE
Central St Martins: Fashion Illustration Short Course 2008
This course was fantastic because I had been concentrating on interpreting other people’s designs as a Patternmaker. I realized that true creativity comes from the subconscious mind, and conceptual drawing or painting might allow you to explore different ideas and then translate them into clothing designs. I am continuing to explore this in my spare time!
Beetroot Dot-and-Cross 2008
Beetroot Girl
Drawn with a spoon and left over beetroot juice in my lunchbox, at work in London 2008.
Ladies 2008
A few quick fashion design drawings – not thinking too much about the designs themselves – but letting my style of drawing lead the way…
